So what did the Red Cross get from Twitter for $100,000?
On Wednesday the American Red Cross used a promoted trend on Twitter to advertise their Red Cross Month. The price of obtaining a promoted trend has fluctuated recently but the going rate seems to be somewhere between £60,000 and £90,000 per day. This is a lot of money for a charity to spend on just 24 hours worth of advertising activity so I wanted to drill into it and find out just what was achieved.
The tweets and links
Clicking on the promoted trend ‘Red Cross Join Us’ shows up the latest Red Cross tweet with other users’ tweets underneath related to the promoted trend. During the time the ad ran the Red Cross featured the two tweets shown above.
The call to action in the first tweet is a little odd as ‘donating’ tweets will be a new concept to most people but, on the other hand, it sounds like a very easy ask that should have been good for user engagement. I was pretty surprised that they used bit.ly to shorten their link considering that the URL shortening service makes the stats on their short URLs publicly available. Still, it’s helpful for those of us that want to take a look at the effectiveness of their campaign. Taking a look at the stats we can see that the bit.ly link was clicked on, at the time of writing, around 500 times. So far, not so good.
The second tweet was a much more traditional marketing message asking people to sign up for Red Cross Month activity. Although this shortened link seems not to have been done using the bit.ly service, adding a ‘+’ symbol to the tweet reveals that the URL is still using the service which means that we can also get stats on the number of clicks. The data shows that this link was clicked on, at the time of writing, just over 1750 times.
Which is how many conversions?
These figures are, I’m sure you’ll agree, fairly paltry considering the expenditure and exposure but lets drill a little bit deeper. If we aggregate the clicks from these two links and assume a very generous 10% conversion rate for the two calls to action we end up with less than 250 conversions. Assuming a more realistic conversion rate of around 2% we only get around 50 conversions.
So what went wrong and what went right?
If the American Red Cross paid full price for their promoted trend they can’t help but be disappointed with the result. However, one thing they will have got in spades is brand recognition. Sitting on the top of the Twitter trends list for 24 hours is absolutely great for promoting their brand and their campaign.
What I did find a little odd was that the promoted trend was visible to someone who was viewing the top London trends. It seems to me that targeting UK Twitter users with a promoted trend aimed primarily at those in the States would elicit a far lower response rate and deliver a lower return on investment. I did also find that the Red Cross Month landing page left a lot to be desired. There is a lot of dense copy and the calls to action are barely distinguishable from the overwhelming torrent of text which can’t have helped their conversion rates.
Most puzzling of all to me is why they chose to go with such a stale promoted trend: ‘Red Cross Join Us’. The most popular trends are always the ones that demand participation from Twitter users. For example, two popular trends in London today were ‘#thatswhyyourmyex’ [sic] and ‘#thingsthedevilinvented’. Both wouldn’t be mentioned by most Twitter users without adding some of their own thoughts. This is their viral quality.
As you can see in the chart above from trendistic.com, the Red Cross’ trend barely outperformed ‘#thingsthedevilinvented’ and woefully underperformed compared to ‘#thatswhyyourmyex’.
Even if the Red Cross got the promoted trend for free the data still suggests that they squandered an absolutely fantastic opportunity. Not many charities will have the cash to try to do right what the Red Cross did wrong but their failings can and should be learnt from and act as a stark reminder to charities that digital campaigns need to be more than just set and forget. These days our audiences demand interaction, vitality and originality. And so should we.
Update: After I posted this story up on Twitter I was contacted by a member of the American Red Cross' social media team who said that my points were 'well taken' but that they 'did [their] best with 1 hour's notice'. As I suspected this means that it was a last minute campaign and that they were probably gifted some distress space by Twitter at short notice. However, I think there are still some valuable lessons to be learnt including optimising trends for user engagement.
Another minimalist film poster: ‘Control’
Following up from my Social Network and Hackers minimalist film posters I had a go at another one for another of my favourite films, Control.
Minimalist film poster designs
Inspired by these minimalist film posters I had a go myself at creating something for two of my favourite films: The Social Network and Hackers.
Not for profit thoughts on the new Facebook Pages
We just enabled the new look Facebook pages for Alzheimer's Society and have been playing around with it this morning. I like the new design but there are some issues for charities that are going to have to be overcome. Let’s look at the good and the bad.
The good
1. Post everywhere as the brand
You can post as your Page on other Pages and profiles which means you can now do outreach using your Page and drive engagement by traveling to the mountain instead of waiting for it to come to you. If you have more than one related Page you could also cross-post and cross-promote which will be very useful for organisations that have separate Pages for events or local areas.
2. Notifications for your Page
Once you’ve clicked ‘use Facebook as Page’ you’ll be able to see notifications where people have interacted with you. This will be especially important to monitor now as you can post away from your own wall and this will be the only way of monitoring those external communications.
The bad
1. The photo carousel at the top
Carousel is, unfortunately, the right word. Unlike user profiles, the order of these photos is randomized every time you reload the page. This means you can't do any clever branding with it or use it for any kind of promotion. Bad for us page owners but good for Facebook who will see more advertising revenue as a result.
2. No more chronological posts
At the moment posts on a Page's wall are now ranked using a similar algorithm to the newsfeed. This means that the most recent post by you or a user may not appear at the top. This could lead to a situation where an old post languished at the top of the wall (making your page look stale) or a post promoting something important was pushed out the way for something else.
It's worth noting that you can see a chronological ordering of posts in the 'admin view' option but this won't display for users.
3. Your website's gone
The old page design showed your web address in the info box under the Page's picture. Now the info box has been relegated to a tab only accessible by the left-hand menu. I don't suspect that the URL in it's old place ever drove too much traffic to our website but it'll be driving even less to it now.
The round up
Facebook has a well established history of not rolling back design changes so these are undoubtedly here to stay. I think the design looks a lot fresher but it could definitely do with a few tweaks to make it even more useful for organisations and brands to get their message out there.
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About
Tom Hubbard-Green is the E-marketing and Social Media Manager at Alzheimer's Society and a freelance technology journalist.
His articles have been published in a variety of magazines and industry publications including Figaro Digital, Org Zine, O2 Venue magazine and The City magazine.
The views expressed on this blog are his own. Obviously.



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Why Radiohead need to nail digital distribution
This article was published in February 2011 on ORG Zine.
Image: PaKKiTo (Flickr)
Yesterday Radiohead announced that they were releasing their new album, 'The King of Limbs', on digital download on Saturday 19 February. Moving away from the pay-what-you-want pricing model of 'In Rainbows' they are offering their new album for £6 as well as £30 for a print copy with assorted goodies.
I really applaud what Radiohead are doing here. In the age of free access to millions of tracks, both illegally and increasingly legitimate, they know that the price for digital content had to be low. They also know that their fanbase is sufficiently rabid to swallow £30 for special artwork to help fill the band's coffers.
The problem, however, comes with their method of distribution. When it comes to handling thousands of payments and downloads on Saturday morning they might find they're without sufficient server capacity to handle it as happened with their release of 'In Rainbows' and the digital release of Saul Williams' last album.
The problem is that their website will not be the only place the download will be available on Saturday. Within seconds of the first downloads the album will be up on BitTorrent and people will be faced with the choice of a crippled official download server or a super speedy and, let us not forget, free BitTorrent download. Of course some will wait and pay but more will flock to torrent the album and that means lost revenue.
Perhaps I am not giving the band's digital team enough credit and they will nail the distribution by temporarily renting extra capacity at a data centre or even using BitTorrent itself to ease the pressure on servers; a method used to great success to distribute massive Linux ISOs.
That said I look forward to seeing how it all turns out on Saturday morning and, of course, listening to the tracks but I wouldn't be at all surprised to find fans grabbing the torrent that’s quicker and easier to get hold of when it comes to crunch time.